The picture below shows Kevin modelling plastercine food wearing a glove.
![](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhskzCNxyw6_EAM_BTI_Sxhck7IghI0Kr_owxAgO_clmtonUvSUhpIcNRtwmzQE0QJqOmvYYw8N1ci_N5rXL5gbjt_7W9swq1PD1VKoR7fB0b6ZyECT7SxOSA7w2aRJgd0mHp5LdjwdYcw/s400/kev+modelling+with+glove.jpg)
![](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhO8Qh7mDC5K1yvT992pzEjYtuUKqup6TkU2DV3gyXhUvT2ujj-fps2GrZ2aT9XDSE5F8T7E8xDjK-iDiFmJpeciQUkz4fO4czE9JpD37RbOkPQg8CtmQue2THR8g9WK9Whx8o0YH0Y_8I/s400/wearing+the+mic+glove.jpg)
The clip below shows Michael explaining about his sensory glove while Kevin models food wearing one of the gloves.
The Access to Heritage project was set up by Liverpool Mencap in 2005 to find out what could be done to make interpretation at heritage venues accessible for people with learning disabilities.In 2008 three artists Kate Allen, James Loftus, and Michael Loftus were commissioned to work on the Access to Heritage Project at Speke Hall Liverpool this blog documents the project.
Phillips monoprint.